The Hungarian pavillion celebrates the integral nature and existence of the line in design and architecture. Through a series of single 'line-making objects', namely coloured pencils, the installation saw screens of white rope suspended from the ceiling, holding a forest of these objects. Along with the tangible pencil forest, each exhibition space was filled with audio and visual triggers of designers drawing initial concepts.
The exhibition highlights the birth of design and designed objects and spaces manifested through the pencil, and represented with line.
The fundamental simplicity of acknowledging and celebrating the source of these ideas, held both a powerful and almost sublime message. It felt almost like the complex nature of what architecture is so often associated with, was being broken down, and the beauty of the line and the pencil revealed.
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